2月8日,央华戏剧年度舞台作品《江南·十二场欢聚》在苏州湾大剧院首演落幕。这部作品的“新”,并不只体现在题材选择上——它更像一次对“舞台还能怎么被使用”的集中实验:用舞台语汇去制造奇观、用视听结构去重建叙事、用当代观众的感官逻辑去重新组织传统文化的出场方式。它试图回答的并非“江南是什么”,而是“今天的剧场,如何把江南变成一种能被当下真实接收的现场经验”。央华戏剧年度舞台作品《江南·十二场欢聚》在...
Source Link2月8日,央华戏剧年度舞台作品《江南·十二场欢聚》在苏州湾大剧院首演落幕。这部作品的“新”,并不只体现在题材选择上——它更像一次对“舞台还能怎么被使用”的集中实验:用舞台语汇去制造奇观、用视听结构去重建叙事、用当代观众的感官逻辑去重新组织传统文化的出场方式。它试图回答的并非“江南是什么”,而是“今天的剧场,如何把江南变成一种能被当下真实接收的现场经验”。央华戏剧年度舞台作品《江南·十二场欢聚》在...
Source LinkDisclaimer: Investing carries risk. This is not financial advice. The above content should not be regarded as an offer, recommendation, or solicitation on acquiring or disposing of any financial products, any associated discussions, comments, or posts by author or other users should not be considered as such either. It is solely for general information purpose only, which does not consider your own investment objectives, financial situations or needs. TTM assumes no responsibility or warranty for the accuracy and completeness of the information, investors should do their own research and may seek professional advice before investing.